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Rap Music’s Beginning
Rap Music’s Beginning
Growing Unrest
Growing Unrest
Late 80’s early 90’s
Late 80’s early 90’s
“Street Poets”
“Street Poets”
Current State of Rap music
Current State of Rap music
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Hip Hop Culture and Rap Music

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1Hip Hop Culture and Rap Music. A 7the mainstream, the greater the
Reflection of African American History in possibilities for violent confrontation
the United States. with the more visible symbols of white
2Rap Music’s Beginning. “Rap music society.
emerged out of a Hip-Hop culture of the 8Civil Rights. “Even as the civil
1960’s and 1970’s with its emphasis on rights movement struck down legal
political expression and resistance barriers…it failed to diminish economic
through graffiti, modes of dress, language inequalities” (Litwack).
and social practices” (Beach). Grandmaster 9Rap and Hip-Hop in the Bronx. “The
Flash photo by Stuart Sevastes. Bronx community-center dances and block
3DJ Kool Herc. Rap music was influenced parties where hip-hop began in the early
by Jamaican “toasting” especially by a 1970’s were not demonstrations for
Jamaican immigrant in 1967 Clive Campbell justice, they were celebrations of
who became know as DJ Kool Herc” (Rhodes). survival”(Chang) The seeds of later
4DJ Kool Herc. “Kool Herc seldom played political rap were being sown “Grandmaster
an entire song. He knew which part of the Flash and the Furious Five…[created] the
record sent his audience into a frenzy. It classic song “The Message” [which]
was usually a 30 second “break” section in resonated with an explosive terrifying mix
which the drums, bass, and rhythm guitar of desperation and anger”(Litwack).
stripped the beat to its barest essence. 10Political Rap. Through the mid-1980’s
Herc would buy two copies of the same rappers like Run-DMC and Soul Sonic Force
record and play it over and over “weighed in on topics like racism, nuclear
emphasizing the break section. Herc used proliferation, and apartheid”(Chang)
two turntables to accomplish this feat. Run-DMC Finds a much larger audience than
This technique became known as “beats” or early rap (including white “rockers”).
“break-beats”. .. What was odd about 11Run DMC on fashion.
Herc’s style was that he did not use 12Late 80’s early 90’s. Increasing
headphones to locate the breaks on the frustration and antagonism a “post-civil
other turntable as other DJs would do who rights stance” Led by Public Enemy rappers
would later use his style. As with the “displayed the Black Panthers media savvy
onset of Jamaican ‘toasting’, Kool Herc and the Minister Louis Farrakhan’s
also used simple phrases to encourage his nationalist rage”(Chang) In 1988 NWA
dancers. But as the mixing in the “breaks” entered the Top-20 charts with its album
between the two turntables required more Straight Out of Compton which included the
concentration, Herc became the first DJ to song “F—k tha Police”(Litwack).
create MC-Dance team. (While Kool Herc 13“Street Poets”. “African Americans who
performed at a club named the Hevalo, articulated growing despair at being caged
dancers to his music became known as in deteriorating postindustrial cities”
‘break dancers’) “(Rhodes). (Litwack). Ice T album Body Count which
5Grandmaster Flash. included the single “Cop Killer”.
6Growing Unrest. Leon Litwack in his 14Dr Dre—”The Chronic”.
article on the civil rights movement for 15Current State of Rap music. “One might
The Journal of Southern History notes, “it ask whether rap has abandoned the
became increasingly difficult towage the revolution” “The hip-hop lifestyle is now
kind of campaign [Martin Luther] King available for purchase in every suburban
preached. New voices—Stokely Carmichael, mall” Hip-hop rose by making
Malcolm X, the Black Panthers—suggested blackness—even radical blackness—the
new moods in black America. Malcolm X. worldwide trading currency of cultural
7Growing Unrest. “The more black cool”(Chang). Kanye West.
Americans found themselves excluded from
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Hip Hop Culture and Rap Music

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