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Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Theory underpinning the study of popular music is particularly
Traditional musicologists have analysed the composition of popular
Traditional musicologists have analysed the composition of popular
Traditional musicologists have analysed the composition of popular
Traditional musicologists have analysed the composition of popular
Traditional musicologists have analysed the composition of popular
Traditional musicologists have analysed the composition of popular
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Theorist have tended to focus on issues to do with audiences of
Theorist have tended to focus on issues to do with audiences of
Theorist have tended to focus on issues to do with audiences of
Theorist have tended to focus on issues to do with audiences of
Theorist have tended to focus on issues to do with audiences of
Theorist have tended to focus on issues to do with audiences of
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Intro to Popular Music Theory
Is Madonna a glamorized fuck doll or the queen of parodic critique
Is Madonna a glamorized fuck doll or the queen of parodic critique
Criticisms of this approach say that it ignores the musical and
Criticisms of this approach say that it ignores the musical and
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Postmodernism
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Popular Music and Social Class
Criticism: This is a rather sentimental and some might say patronising
Criticism: This is a rather sentimental and some might say patronising
Criticism: This is a rather sentimental and some might say patronising
Criticism: This is a rather sentimental and some might say patronising
Popular Music Theory

: Hampshire Education. , . , Popular Music Theory.ppt zip- 2847 .

Popular Music Theory

Popular Music Theory.ppt
1Popular Music Theory. 14has collapsed (science, religion, history,
2Contents. Intro to Popular Music progress) Identity is fluid sense of
Theory Postmodernism and Popular Music self not fixed Consumerism is a creative
Social Class and Popular Music Age and endeavour in which the self is
Popular Music Gender and Popular Music constructed. No distinction between the
Post-modern Approaches. real and the simulated. Convergence of
3Intro to Popular Music Theory. Information Technology and Society. One of
4Theory underpinning the study of the key theoretical issues in popular
popular music is particularly music studies is that of post-modernism.
wide-ranging, incorporating aspects of 15Popular Music and Postmodernism. 1930s
Musicology - Media Studies - Cultural Recording Studio:Postmodern? Records: the
Studies - Gender Studies History ultimate simulacrums? CDS: Less authentic
Economics Literary Studies. Intro to than vinyl? Some argue that musical
Popular Music Theory. recordings are the epitome of the
5Traditional musicologists have post-modern text because they are copies
analysed the composition of popular music without originals (simulacrums).
as if it were a classical composition. 16Popular Music and Postmodernism. The
Howard Goodall, for example compares the music video re-enforces this in its
Beatles and Mozart. Intro to Popular Music depiction of inauthentic performances and
Theory. abstract visuals. Queen Robert Palmer.
6Intro to Popular Music Theory. This 17Popular Music and Postmodernism.
approach has been criticised by some for Others have tried to identify key moments
neglecting the performative and in the history of popular music when it
improvisational qualities of popular seemed to embody post-modern cultural
music. Jazz Improvisation Kiss. practice e.g. the advent of sampling in
7Intro to Popular Music Theory. In the 1980s. S- Express.
Look! Hear! The uneasy relationship of 18Popular Music & Postmodernism.
music and television (2002) Simon Frith 19Paul Willis A Social Theory for the
argues that the defining feature of Social Meaning of Pop (1973).
popular music is its televisual aesthetic. 20Popular Music and Social Class. Paul
8Intro to Popular Music Theory. The Willis views popular music culture as an
other side of this are the approaches authentic expression of working class
emanating from the social sciences, which youth.
are often labelled the sociology of 21Popular Music and Social Class. High
rock. Simon Frith, The Sociology of Rock, Culture
1978 Punk 77. The systematic and ------------------------------------------
scientific study of society and societal ------------------------------------------
behaviour. -- Low Culture. Willis challenges received
9Theorist have tended to focus on thinking that certain art forms are more
issues to do with audiences of popular valid than others i.e. classical music.
music and the representation of 22Popular Music and Social Class. He
performers. Age, Race Sex and Class. Intro views popular music as a new form of media
to Popular Music Theory. literacy for groups traditionally
10Intro to Popular Music Theory. marginalized.
Emanating from this is a school of Media 23Popular Music and Social Class. (T)he
and Cultural Theory known as Madonna vast majority of young people involved
Studies. Influenced by the Queer Theory with pop music are working class, and
and the work of Foucault Madonna is seen share along with the rest of their class,
as exemplifying Feminist critiques an inability to articulate their meanings
particular those of Judith Butler. Madonna in an abstract verbal manner. Willis,
- Open Up Your heart. Paul. E, A Theory for the Social Meaning
11Is Madonna a glamorized fuck doll or of Pop, journal (Centre for Contemporary
the queen of parodic critique?. Pamela Cultural Studies, Birmingham), p.3. Is
Robertson - Guilty Pleasures Feminist Camp abstract verbal communication important in
from Mae West to Madonna (1996). Intro to pop music? Think of well known songs that
Popular Music Theory. actually use very simplistic words or
12Criticisms of this approach say that indeed nonsense words or phrases. The
it ignores the musical and aesthetic Beatles Oasis.
qualities that make popular music distinct 24Criticism: This is a rather
from other media texts. This raises the sentimental and some might say patronising
question have we come full circle? Intro view of audiences. Also ignores the middle
to Popular Music Theory. class articulate demographic many
13Popular Music & Social Class. popular music stars, for example, are
14Popular Music and Postmodernism. college graduates. Roxy Music David Bowie.
Postmodernism: Faith in grand narrative Popular Music and Social Class.
Popular Music Theory.ppt
http://900igr.net/kartinka/anglijskij-jazyk/popular-music-theory-112983.html
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Popular Music Theory

Popular Music Theory

World music - . What composers made their musical powers? Johann Strauss Jr. was born on the 25th of October 1825 in Vienna. Johan Sebastian Bach wrote many compositions. What was Sergei Rachmaninoff? Henry Purcell was a famous original English composer of the time. Viennese Waltz King Johann Strauss.

Jazz - . , . - . Jazz. With time jazz became more and more popular. . . - . , , , . .

Uriah Heep - bass. Gary Tane. Uriah Heep -. Studio albums. Ken Hensley. Mick Box. Lee Kerslake. Live albums. drums, percussion. lead vocals. lead guitars. Hits: keyboards, guitars. 1972. David Byron. British rock band, formed in 1969 in London. 1971. Discography. Uriah Heep.

American music - Banjo. Elvis Presley. Piano. American music. Guitar. . . Let my people go. First born. Spiritual. . Violin. Saxophone. Trumpet. . Summertime. Drums. .

Michael Jackson - Then he also has died Biography of a famous person. Dates and bithplace. It was the seventh of nine children. Education. Career. Personality. Achievements. Why he is famous? Though Michael Joseph Jackson has died it always its idols will remember This is Michael Joseph Jackson.

Classical music - Franz Schubert. Opera. There are three sections of a sonata- Exposition,Development,Recapitulation. All sonatas follow this form. All of the Classical composers were employed by various wealthy patrons. Beethoven, Haydn and Schubert has no success with writing operas. Mastered by Franz Joseph Haydn - he wrote 104 of them.

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