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Kazimir Malevich (1878  1935)
Kazimir Malevich (1878 1935)
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Kazimir Malevich
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Photograph of Tatlin Inaugurating Monument to Sofia Perovskaya,
Photograph of Tatlin Inaugurating Monument to Sofia Perovskaya,
Vladimir Tatlin
Vladimir Tatlin
Sculptural maquette of Monument to the Third International as it
Sculptural maquette of Monument to the Third International as it
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Tatlin
Vladimir Mayakovsky
Vladimir Mayakovsky
Vladamir Mayakovsky
Vladamir Mayakovsky
Vladamir Mayakovsky
Vladamir Mayakovsky
El Lissitzky (1890  1956)
El Lissitzky (1890 1956)
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
El Lissitzky
Alexander Rodchencko
Alexander Rodchencko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Better pacifiers there were never, Im prepared to suck forever
Better pacifiers there were never, Im prepared to suck forever
Alexander Rodchenko
Alexander Rodchenko
You should be ashamed of yourselfyoure still not on the list of
You should be ashamed of yourselfyoure still not on the list of
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Alexander Rodchenko
Varvara Stepanova 1894-1958
Varvara Stepanova 1894-1958
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova
Varvara Stepanova Dress design for daytime (1924)
Varvara Stepanova Dress design for daytime (1924)
Varvara Stepanova The Third Warrior (1925)
Varvara Stepanova The Third Warrior (1925)
Social Realism
Social Realism
Social Realism
Social Realism
Vasili Filippovich Ivanov
Vasili Filippovich Ivanov
Peter Panteleimonovich Parkhet
Peter Panteleimonovich Parkhet
Boris Eremeevich Vladimirski
Boris Eremeevich Vladimirski
Boris Eremeevich Vladimirski
Boris Eremeevich Vladimirski
Vladimir Gavrilovich Krikhatzkij: New Tractor (1929)
Vladimir Gavrilovich Krikhatzkij: New Tractor (1929)
The Russian Avant-garde: Experiments in Abstraction

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The Russian Avant-garde: Experiments in Abstraction

The Russian Avant-garde: Experiments in Abstraction.ppt
1The Russian Avant-garde: Experiments 30Vladimir Tatlin. Nude (1910-14).
in Abstraction. Watercolor.
2Purpose. When the new century came, 31Vladimir Tatlin. Sailor (1911).
the quest for national identity caused an Watercolor.
ambitious and aggressive change in every 32Vladimir Tatlin. Corner Relief (1915).
part of Russian culture. There was a Mixed media.
chauvinistic desire to beat the West at 33Vladimir Tatlin. Counter Relief (
its own game. 1914-15). Iron, copper, wood, rope.
3Russian Futurism. inspired by the 34Photograph of Tatlin Inaugurating
writings of Marinetti, Russian Futurists Monument to Sofia Perovskaya, December 20,
sought to create a movement which would 1918, USSR.
cause the Western artists to look to 35Vladimir Tatlin. Monument to the Third
Russia for guidance sought to create a International (1991-20). Wood, iron, and
format which was uniquely Russian in style glass. Had the full-scale project been
became increasingly used as a device of built, it would have been approximately
propaganda and a voice for social reform 1300 feet high, the biggest sculptural
brought to an end by the government's form ever conceived by man. It was to have
official endorsement of Socialist Realism. been a spiral metal frame tilted at an
4The Role of Artists. saw their work as angle and encompassing a glass cylinder,
a reflection of the social, economic and cube, and cone. The various glass units,
cultural climate of the moment, and housing conferences and meetings, were to
vehicles that could initiate change revolve, making a complete revolution once
disseminated their radical ideas which a year, once a month, and once a day. The
enabled new groups to evolve their own structure would have served to steer the
philosophies, keeping visual art in a course of humanity on earth.
constant state of development appreciated 36Sculptural maquette of Monument to the
the significant impact their ideas could Third International as it appeared on the
have on society. Mayday parade in Moscow in 1926.
5The Russian Avant-garde: Suprematism 37Vladimir Tatlin. Letatlin (1932).
(1913 - 1919) Constructivism (1913 Wood, cork, metal, silk, ball bearings,
1921). and whalebone.
6Suprematism (1913 - 1919). was a 38Vladimir Tatlin. Reconstruction of
revolutionary art movement promoting pure Letatlin (1929-31).
aesthetic creativity, the supremacy of 39Vladimir Tatlin. Letatlin (1932).
pure feeling in creative art dispenses Wood, cork, metal, silk, ball bearings,
with subject matter, perspective, and and whalebone.
traditional painting techniques centers on 40Vladimir Mayakovsky. (1893-1930).
the visual qualities of shape and space, 41Vladamir Mayakovsky. Revolutionary
free from the constraints of real world Poster (1920).
objectivity presents an art of dynamic 42Vladamir Mayakovsky. Revolutionary
purity to stir emotions and promote Poster (1920).
contemplation uses squares, rectangles, 43El Lissitzky (1890 1956).
circles, triangles and the crosstaking 44El Lissitzky. Beat the Whites with the
cubist geometry to its logical conclusion Red Wedge (1919).
of absolute geometric abstraction. 45El Lissitzky. Untitled (Sketch for
7Kazimir Malevich (1878 1935). Roza Luxemburgs Memorial), 1919-20.
8His Aim. to create work so pure and so 46El Lissitzky. Proun AII (1920). Black
abstract that it allowed you to transcend ink, gouache, watercolor and graphite on
into quiet thought , beyond the object and tan cardboard. Proun is the name he gave
into the spiritual to free art from the his non-objective painting- constructions,
burden of the object to demonstrate that a in which he experimented with the elements
painting can exist independent of any of contemporary geometric abstraction
reflection or imitation of the real world. combined with perspective illusions. It is
9Kazimir Malevich. The Harvest of the an acronym for Project for the
Century (1912). Oil on canvas. Affirmation of the New in Russian.
10Kazimir Malevich. Suprematist 47El Lissitzky. Proun 5a (1922).
Composition: Airplane Flying (1915). Oil Distemper, tempera, varnish and pencil on
on canvas. canvas.
11Kazimir Malevich. Red Square (1915). 48El Lissitzky. Composition (1920).
Oil on canvas. Black ink, gouache, watercolor and
12Kazimir Malevich. Boy with graphite on tan cardboard.
KnapsackColor Masses In the Fourth 49El Lissitzky. Proun 19D (1922). Gesso,
Dimension (1915). Oil on canvas. oil, collage, etc., on plywood.
13Kazimir Malevich. Suprematist 50El Lissitzky. Proun G7 (1923).
Composition (1915). Oil on canvas. Distemper, tempera, varnish and pencil on
14Kazimir Malevich. Suprematist Painting canvas.
(1915-16). Oil on canvas. 51Alexander Rodchencko. 1891 - 1956.
15Kazimir Malevich. Suprematism 52Alexander Rodchenko. Construction
(Supremus No. 58), 1916. Oil on canvas. (1919). Oil on canvas.
16Kazimir Malevich. Suprematist Painting 53Alexander Rodchenko. Constructivist
(1916). Oil on canvas. Collage to the Third International (1919).
17Kazimir Malevich. Suprematism Collage of pasted papers.
(1916-17). Oil on canvas. 54Better pacifiers there were never,
18Kazimir Malevich. Black Square Im prepared to suck forever. On sale
(1923-29). Oil on canvas. everywhere.. Alexander Rodchenko and
19Kazimir Malevich. Black Circle Vladimir Mayakovsky. The Best Nipple
(1923-29). Oil on canvas. (1923). Gouache on photographic board
20Kazimir Malevich. Black Cross mounted on cardboard.
(1923-29). Oil on canvas. 55Alexander Rodchenko. Illustration for
21Kazimir Malevich. Suprematist Mayakovskys Pro Eto (1923). Photomontage,
Composition: White on White (1918) Oil on pink and black paper on paper.
canvas. 56You should be ashamed of
22Kazimir Malevich. Suprematist yourselfyoure still not on the list of
Composition (1923-25). Oil on canvas. Dobrolet stock holders. The whole country
23Kazimir Malevich. Sportsmen (1928-30). has an eye on this list. One gold ruble
Oil on canvas. makes anyone a stockholder. . . ..
24Kazimir Malevich. Self-portrait Alexander Rodchenko. Dobrolet Advertising
(1933). Oil on canvas. Poster (1923). Lithograph on paper.
25Constructivism (1912 1921). 57Alexander Rodchenko. Dobrolet
translated the 'spirit' of the machine age Trademark (1923). Gouache on paper.
and the new society into a practical 58Alexander Rodchenko. Design for Book
visual form shifted its emphasis toward Cover Incorporating the Word Depot (ca.
designing functional constructions which 1925). Watercolor, tempera, pen and ink,
could benefit the emerging soviet state and pencil on paper.
ventured into the production of items 59Alexander Rodchenko. The Workers Club
beneficial to the new Russia, the (1925).
materials used were appropriate to the 60Alexander Rodchenko. Poster for Sergei
product and process whether ceramics, Einsteins film Battleship Potemkin
clothing, posters or architecture (1925).
interested in an immediate application to 61Alexander Rodchenko. Workers suit
create a new civilization in the Soviet (1925).
Union, with art becoming the motor of the 62Alexander Rodchenko. Conversation with
propaganda machine. the Finance Official on Poetry. Cover for
26The Style. a purely non-objective the book by V. Mayakovsky (1926).
approach in the making of artwork, without 63Varvara Stepanova 1894-1958.
reference to the real world was 64Varvara Stepanova. Figure (1920).
essentially geometric, precise and almost Gouache and pencil on illustration board.
mathematical; in fact a number of 65Varvara Stepanova. Collage (1919-20).
Rodchenko drawings were executed with Paper on paper.
compass and ruler used squares, 66Varvara Stepanova. Tarelkin, costume
rectangles, circles and triangles as the design of the play Tarelkins Death by
predominant shapes in carefully composed Sukhovo-Kobylin (1922). Gouache and blue
artworks, whether drawing, painting, pencil on paper.
design or sculpture emphasized the 67Varvara Stepanova. Design for mens
dominance of the world of machines and sportswear (1923). Gouache and Indian ink
structures over nature. on paper.
27Methods and Materials. dealt with such 68Varvara Stepanova Dress design for
a wide range of materials that anything daytime (1924). Gouache and Indian ink on
was possible; wood, celluloid, nylon, paper.
Plexiglas, tin, cardboard and early forms 69Varvara Stepanova The Third Warrior
of plastic were used through a variety of (1925). Collage and India ink on paper.
constructing methods from glue through to 70The End of Constructivism. The Soviet
welding lacked the more engineered regime at first encouraged this new style.
approach developed by International However, beginning in 1921, constructivism
Constructivism employed new materials, (and all modern art movements) were
construction, and joining methods, officially disparaged as unsuitable for
including aluminum, electronic components mass propaganda purposes.
and chrome-plating. 71Social Realism. Karp Demyanovich
28Vladimir Tatlin. 1885-1953. Trokhlmenko. Stalin as an Organizer of the
29Tatlin. began constructing relief October Revolution. Oil on canvas. Isaac
sculptures in a variety of materials Izrailevich Brodskiy. Vladimir Ilich Lenin
including tin, glass, wood and plaster (1924). Oil on cardboard.
combined actual materials through careful 72Vasili Filippovich Ivanov. Vladimir
construction, where the real space between Ilich Lenin Speaking (1928). Oil on
them would be treated as a pictorial canvas.
element, thus forcing their 73Peter Panteleimonovich Parkhet. Stalin
inter-relationship as an important at the 8th Conference of the Highest
aesthetic consideration introduced space Council. Oil on canvas.
as a compositional factor, changing the 74Boris Eremeevich Vladimirski. Female
face of modern sculpture used suspended Worker (1929). Oil on cardboard. Miner
wire across the corner of a room, (1929). Oil on cardboard.
divorcing himself from the earthbound 75Vladimir Gavrilovich Krikhatzkij: New
tradition of past sculpture. Tractor (1929). Oil on cardboard.
The Russian Avant-garde: Experiments in Abstraction.ppt
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The Russian Avant-garde: Experiments in Abstraction

The Russian Avant-garde: Experiments in Abstraction

The animals - GORILLA. BEAR. The animals which live in the forest. The animals which live in a SAVANNA. The animals which live in the OCEAN. BOBCAT. GIRAFFE. TIGER. EMU. SEA-HORSE. CAMEL. The animals which live in Australia. BISON. FLAMINGO. PENGUIN. GRIFFIN. STARFISH. SNAKE. SQUIRREL. PANDA. The animals which live in the desert.

the woman - , . A womans tongue wags like a lambs tail. Un homme- . A man - . Chickens mind- . As great a pity to see a woman cry as a goose go barefoot. . Der mann- . - , - ; - .

The english-speaking countries - Australia. USA. The English-speaking countries. Scotland. Great Britain. Disneyland.

The green movement - The countries in which there are offices Greenpeace. It became the first African who has headed this organization. The main objective to achieve the decision of global environmental problems, including by attraction to them of attention of the public and the authorities. National offices Green Peace are opened in 43 countries of the world as the independent units working over achievement of the purposes of the national projects.

- Spasskaya Tower. The temple of Christ the Saviour. Arkhangelskiy Cathedral. I love Moscow very much. Now Moscow is the biggest and most wonderful city in Russia. Cathedral of Nicola in Hamovniki. The Church of Ascension. Uspenskiy cathedral. There are a lot of beautiful churches, cathedrals, bell towers and temples in Moscow.

About Russia - Map of Russia. Russia is famous for (Click on each name for more information.). What Russians Like to Eat. Famous Palaces (click on the names to find out more). What Russian Kids Do. Petersburg. Facts About Russia. Some Famous Russians. Irkutsk, in Siberia. Marshall Cavendish Corporation. 2004. The population of Russia is 149,476,000.

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